Source: Sott, by Harrison Koehli
The Podesta brothers – John and Tony – are creepy.
Most recently, John was the Clinton campaign’s chairman, but he has worked with Bill and Obama too. Tony is considered one of Washington’s most powerful lobbyists. (For more on their political background, see Abby Martin’s recent Empire Files on teleSUR.)
Not knowing much about them – aside from the fact that Podesta is interested in UFOs – the first ping on my radar was the “spirit cooking” revelation from the leaked Podesta emails.The relevant email suggests that not only are Tony and John close enough to Crowleyite “magickian” and “artist” Marina Abramovic to be on a first-name basis with her, but also that they are familiar enough with her “spirit cooking” to know what that involves and presumably be fine with attending a session. The casual tone sounds as if the planned “dinner” was probably not their first. (See: Sickos: Wikileaks reveals Podesta bros participate in disturbing, occult-themed “spirit cooking” involving copious bodily fluids?)
Since the release of Podesta’s emails, users on sites like 4chan, Twitter, Reddit and YouTube, among other blogs and forums, have been uncovering a ton of strange connections, creepy implications, and perhaps outlandish speculations about the brothers and their circle of friends. For example, see this compilation of info by “ausbitbank” on steemit. There’s a ton of other stuff out there, so knock yourself out searching and combing through it all. There’s a ton of speculations and unsourced assertions on the topic, but there are also some genuinely creepy people and connections involved. Here I’ll present just the facts. Let’s start with Tony.
On July 16, 2015, Politico published a photo essay “inside Hillary’s campaign headquarters” that featured an image of John’s office. On the wall is a painting, on loan from his brother Tony, that features a suited man lying on a table, with two men standing over him. The visual suggestion – given the plates and cutlery held by the two – are that they are preparing to eat him.
On April 28, 2016, Time published a feature on John, in which the painting was described:
“On the wall in his office at Hillary Clinton’s Brooklyn headquarters, campaign chairman John Podesta has an oil painting on loan from his lobbyist brother, who is an avid art collector. The image shows two men hunched over a dining room table, bearing knives and forks. On the table lays a man in a suit, who looks vaguely like Podesta. “It’s better to be the guy with the fork,” Podesta quips to his colleagues, if they ask about the image, “than the guy on the table.”
I’ll refrain from commenting on that last quip except to say it’s no wonder this guy worked for Hillary… The Free Syrian Army would love his taste in art. But pull a bit further on that description of Tony as “an avid art collector” and you might regret it.
A Washington Post article on Tony’s “art” collection is revealing. (It’s no longer available on their site, but it is archived here.) According to its author, Jessica Dawson, Tony is considered as one of the USA’s “most important contemporary art collectors”. His wife Heather describes their first date like this, when she first encountered Tony’s “hobby”:
“Passing some of the quirkier selections, Heather recalls Tony remarking, “I don’t know why it is, but I have artworks where the women have no heads.” The next day, she sent him a note signed, “Woman with a head.”
So sweet! Dawson writes that Tony and Heather “don’t shy away from discomfort — especially when they can inflict it, ever so gently, on others”. As examples, she cites a suite of works in their collection that serve “as a cautionary tale of genetic engineering”, including a boy “seemingly born from a sewing machine” and “a naked women immersed in blood-red liquid”:
“Some people think it’s a little weird,” Tony says of his choices. “But that’s their problem.”
Steeped in liberal politics, Tony favors art with in-your-face nudity and social critique. [His brother John] admires his choices in art but recognizes that not everyone gets it. Says John, “I don’t think Tony focus-groups his art.”
Though pictures rotate on and off the walls of the couple’s homes, a piece in the Woodley Park living room stays. Called “Soliloquy VII,” … an update of a late-15th-century painting of the dead Jesus. Taylor-Wood faithfully replicates the original’s composition, here photographing, in vivid color and minute detail, a young man laid out on his back. Just one thing: Taylor-Wood omits the shroud, displaying his subject in all his nakedness.
Another piece, “The Arch of Hysteria” by Louise Bourgeois — an eight-foot sculpture of a headless man’s contorted body — hangs from the ceiling of their stairwell and serves as what Heather calls “an ice-breaker” that “puts people at ease”. I find that hard to believe. But I guess stuff like that is relative, considering another portion of Tony’s collection: one bedroom in their house contains “multiple color pictures by Katy Grannan, a photographer known for documentary-style pictures of naked teenagers“. Below is a picture of Tony and “The Arch”, followed by a picture of the sculpture from a different angle.
Whether intentional or not, the sculpture bears a resemblance to one of serial killer Jeffrey Dahmer’s victims. You can view the image here (warning – it is not gory, but still disturbing). The caption to the image reads: “Dahmer photographed his victims’ bodies in various positions that he found sexually significant.” I could find no indication that Bourgeois intentionally modelled the sculpture on the Dahmer photograph, and while the poses are not identical, the similarities are striking, including the arched position, the slender frame, the prominent ribs, and the lack of a head.
Laura Wainman wrote a piece on Tony’s home, published for Washington Life on June 5, 2015. In it, Tony lists Louise Bourgeois and Marina Abramovic (of “spirit cooking” fame, see first paragraph above) as among his top five favorite “artists”. But the first “artist” in Tony’s collection mentioned in the article is Serbian painter Biljana Djurdjevic. Here’s a selection of her work (more photos available here and on her website):